Finer Things Magazine Reviews: Part I

What follows below was my submission to Finer Things Magazine for their Fall Issue. It’s reproduced here for your reading pleasure. Enjoy.

Finer Things Magazine Reviews: Part I

Hi everyone, I’m Joe from On the pod.net and welcome to the first in what I hope to be a long series of music reviews for Finer Things Magazine. For our first time out we’ve got three discs for your listening pleasure. First, we’re going to start off with something a little heavy, Phobia, the new album from Breaking Benjamin. Second, we’re going to find out about “Texican Style” with the sophomore effort from Los Lonely Boys, Sacred. Finally, to cap it all off we’re going to get ready for the new fall TV season with a look back at volume one of the Scrubs soundtrack series…and away we go.

Breaking Benjamin – Phobia
Breaking Benjamin first showed up on my radar when they contributed the song Blow Me Away to the soundtrack for the amazingly successful Xbox game Halo 2 in 2004. Now, two years later they have returned with their third studio album, Phobia. Made up of thirteen songs plus an acoustic version of the albums first vocal track, The Diary of Jane, Phobia is full of heavy guitars playing intricate rhythms, a tight rhythm section and vocals that, as a rule, remain melodic over the alternative metal underpinnings that comprise the sound of Breaking Benjamin. While heavy, the album as a whole hangs in the mid-tempo range with the occasional burst of speed as dictated by the material. If you’re a fan of Breaking Benjamin or the alternative metal genre as a whole, Phobia is definitely worthy of a listen.

Los Lonely Boys – Sacred
If you think you’re not familiar with the work of the Garza brothers, you probably just don’t know who plays that song Heaven you’ve been humming to yourself for the past two years. Sacred, the second album by the San Angelo, Texas trio Los Lonely Boys picks right up where their 2004 self-titled album left off. Stylistically, it’s a seamless blend of Latin inspired rhythms, blues, pop and just a dash of the Spanish language thrown in for flavor. Musically the album is excellent. Henry, JoJo and Ringo Garza (guitar, bass and drums respectively) can, in a word, play. When artists try to blend styles, rarely does it work at all much less work so well. The difference with Los Lonely Boys is that they don’t have to try. They so obviously live the music they make, that they can draw from a seeming endless well of influences to express themselves in what can only be called, as one of the songs on Sacred is so aptly titled…Texican Style.

Scrubs Soundtrack: Volume One
The musical interludes during the sitcom Scrubs were always striking to me for their choice of music, so…I was thinking that since Scrubs is going to be starting its new season soon and they just released the second volume in their soundtrack series it might be fun to go back to where it started for the show musically. The Scrubs Soundtrack: Volume One is led off by the show’s theme, Superman by Lazlo Bane. It’s definitely interesting to hear Superman, the song, in its full and unedited state as opposed to Superman, the Scrubs theme song, in the bits and pieces you hear over and over again each week. The orchestration of Superman is eccentric, containing all the usual instruments you would expect, but topped off by a Banjo and what sounds to be either a Theremin or Tannerin playing those lovely woo-woo-woo-woo-woo sounds you hear in the chorus of the song, ala Good Vibrations by the Beach Boys. You could, if you were so inclined, actually use Superman and its instrumental eccentricities as a good read of the remainder of the soundtrack and, by extension, the show itself. The Scrubs Soundtrack: Volume One album plays home to fourteen other entertaining and very listenable songs from the Eels and The Shins to the Butthole Surfers and Colin Hay, best known for fronting the 80’s band Men At Work. The mix of artists is eclectic, but the material included is all similar enough in feel so as to not be overpowering…just fun.

So there you have it, your first three reviews. I hope you found them helpful and that they gave you a couple of new listening ideas. If you liked them and can’t wait for the next issue of Finer Things Magazine, check out all of my other reviews at http://www.onthepod.net.

Until next time, have fun and keep listening.

Joe

Finer Things Magazine Reviews: Part II

What follows below was my submission to Finer Things Magazine for their Winter Issue. It’s reproduced here for your reading pleasure. Enjoy.

Finer Things Magazine Reviews: Part II

Hi everyone, it’s Joe from On the pod.net again. Welcome back to Finer Things Magazine music reviews. This month we’re hitting Pop, Folk and Rock for you with three new albums; Ta-Dah! by the Scissor Sisters, Despite Our Differences by the Indigo Girls and The Open Door by Evanescence. Here we go…

Scissor Sisters – Ta-Dah!
Ta-Dah! by the Scissor Sisters is like stepping into H.G. Well’s time machine and dialing yourself back to the VIP lounge of Studio 54 in the mid 70’s to go wild for a little over three quarters of an hour. If you’re still having a problem picturing the vibe of this album; think Roller Skates, Afros, The Bee Gees, ELO, Elton John in costume and even a bit of Queen. Ta-Dah! takes the term retro to a whole new level, and in doing so ends up feeling like an entirely authentic album with a funky rhythm section, falsetto vocals and a definite sense of humor.

Indigo Girls – Despite Our Differences
In ten albums and nineteen years, Amy Ray and Emily Saliers have gone from acoustic to electric and back again, covering everything from social issues to the internal dialogue of love. Despite Our Differences marks the Indigo Girls tenth foray into the studio since 1987’s Strange Fire and continues down the well worn path of their career to date. It doesn’t break any new musical ground for the duo, but it does harvest the fruits of their talents in a way that makes the thirteen tracks on Despite Our Differences seem more fresh than rehashed. As always, the lyrics are elegantly crafted and the music follows in similar fashion. While Despite Our Differences wouldn’t be my first choice as an introduction to the Indigo Girls, fans will recognize it for what it is…the continuation of a conversation with an old friend.

Evanescence – The Open Door
Love them or hate them, it’s undeniable that when Evanescence hit the music world with their first album, Fallen, they hit it big. The album’s first single, Bring me to Life was everywhere in a big way. Fallen kept producing a seemingly endless stream of singles, all of which found their way into heavy rotation over the airwaves. Three years later, everyone’s favorite Goth Girl, Amy Lee, is back with Evanescence’s second major label release, The Open Door…it also marks the band’s first album without, Evanescence co-founder and guitarist, Ben Moody. Amy Lee fills The Open Door with her trademark ethereal, operatic vocals on top of the counterpoint of distortion and heavy rhythms…and if this were a debut album, it would be enough. However as a sophomore effort, The Open Door, while staying true to the feel laid down by Fallen, does not move beyond it. That is not to say, however, that The Open Door isn’t a solid album. The opening track, Sweet Sacrifice, and the first single, Call Me When You’re Sober, are both bright spots on the album with the remaining tracks filling the remainder The Open Door nicely. That being said though, I think fans of Evanescence will draw more from The Open Door than the casual listener.

So, there you have three new discs for you to check out this month that should broaden your aural horizons, especially if you’re a fan of the Indigo Girls and Evanescence. If you liked the reviews and can’t wait for the next issue of Finer Things Magazine to decide what else to listen to, check out all of my other reviews at http://www.onthepod.net.

Until next time, have fun and keep listening.

Joe